debngar wrote:
I've never bothered to install the ProShow LR plug-in. Looks like it allows quick global application of some things for fast, less personalized portfolio shows but I don't typically use ProShow that way. I would like to know from anyone else that uses the LR plug-in what additive features it has for work flow, else I don't think I'd ever use it.
Once you start using LR, you may find it becomes THE tool for your entire work flow and the other things may get less use as the time goes by.
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Debbie,
I agree 100% that LR3 is a great aid in building collections and then exporting for the show. I do have the Proshow LR plug-in installed, but would only really try to bang out something generic with it. I don't see a lot of value if you are already familiar with LR3 and have our exports and presets all set up. I know that you can add transitions and stuff with the plug-in, but I don't do it that way. My workflow is very similar to yours. I get all of the images ready to go in LR3, then export them to a folder and and I am ready to start my show work. Most of my images require lot's of color control and LR gives me that.
I can't image doing photo work w/o LR. Most of my post-processing is done there unless I need CS5 layers or masking. My feeling is that photo work should be done in LR3 or CS5 and show production should be done in Producer. I can't image trying to do clean up adjustments such as white point, brightness, etc. in Producer. But I am lucky to have those programs and I can see where they might be useful to some.
I do all kinds of photo work with shows just being one type of output. But my workflow is the same.
1. LR3
2. CS5 if needed
3. Final production i.e. either Producer, print media, digital media, web, etc.
Jim